Othello

Through break Act III, context iii, Othello speaks in short, clipped exclamations and half-sentences much(prenominal) as Ha! (III.iii.169), O misery! (III.iii.175), and Dost thou lecture so? (III.iii.209). There is also notable repetition, as in Not a jot, not a jot (III.iii.219), O, weighty, inconclusive! (III.iii.431), O, blood, blood, blood! (III.iii.455), and Damn her, lewd minx! O, prick her, fiendish her! (III.iii.478). Such moments, when Othello shifts from his typical seemingly effortless verse to healthy inarticulateness, demonstrate the extent to which Othellos passion has broken root his self-control. In Act III, sight iii, he is still speech production in mostly coherent sentences or phrases; but this is no longer the case in Act IV, scene i. This scene begins with Iago saying, Will you think so? and Othello can only unable(p) to help and automatically echo, Think so, Iago? (IV.i.12). Iago then introduces the word consist into the conversation, which s ends Othello into a frenzy as he attempts to sort out the semantic differences between Cassio craft on (that is, lying about) Desdemona and lying with (that is, having turn on with) her (IV.i.3335). The various words and images Iago has planted in Othellos take heed over the course of the runaway are transformed into impressionistic, fitful eruptions out of Othellos blab out: Lie with her? Swounds, thats insincere! Handkerchiefconfessionshandkerchief (IV.i.3536). These eruptions culminate in the nonsense of Pish! Noses, ears, and lips! (IV.i.40). Ultimately, Othellos inability to articulate seems to submerge him physically, as he collapses in a trance (IV.i.41, compass point direction).If you want to get a full essay, order it on our website: OrderCustomPaper.com

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