Explain how Iago manipulates Roderigo in Act 2: Scene 1.

In Act 2, scene 1, Iagos comment that Othello and Desdemona are headspring tuned is a metaphor of harmonic music in which he uses to register the current consent of Othellos marriage. However the comment is then followed by Iagos vow to set down the pegs, which show his intentions to disassemble the harmony between them. When Iago and Roderigo are left alone to breedher, Iago sees this as an probability to manipulate Roderigo by tattle him that Desdemona is directly in admire with him (him being Cassio), because she must(prenominal) necessarily tire of Othello. However, although Roderigo finds it infeasible to believe, Iago continues by supporting his allegation by overwhelming him with his arguments that Desdemona that feral in love with Othello because of his bragging and fantastic lies of the stories that he told her virtually his life. Iagos argument is sophisticated with the use of rhetorical questions in which he uses with the intent to flip an infatuated Roderig o hesitant of Cassio. key out me with what delirium she first loved the Moor but for and telling her fantastical lies. And will she still love him for prating? Her eye must be fed. And what delight shall she have to look on the monstrosity? Now, sir, this given - as it is a most pregnant and unstrained rate - who stands so eminent in the degree of this dowry as Cassio does? The way that Iago uses his rhetorical questions are effective, because he creates a opthalmic before it, in order to make Roderigo conceptualize close what Iago is telling him. The rhetorical questions within Iagos explanation make it attend as if he had already planned on what he would say and how he would say it, to give the economic crisis that he isnt misleading Roderigo. In the quotation:... If you want to get a good essay, order it on our website: OrderCustomPaper.com

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